Art progress post -- Staunch watercolour, post 3
I've been picking and parting this painting for the last few weeks. A sliver of cloth here, a layer of shadow there, all done in the cracks between other things, and then left alone to dry while I went off to still other tasks. I'm nearly done with the cloak, and it's been a bit of an adventure keeping the hue and opacity of the fabric reasonably consistent, I must say. Still working exclusively with watercolour pencils, but I think that for the skin, I'm going to have to switch over to my trusty pallette set. Skin tones, you know; I'm too much a perfectionist there to experiment too broadly.
Anyhow. Concurrent to my dallying along on this little scrap of amusement, I've been getting the underpainting done for the first of the two commission paintings I sold for the Live Long and Marry auction. Underpainting for watercolours is not something I'd ever really bothered with before just recently, but after I saw what a stunning difference it made in I'll Forget You, I have become a solid convert. Berol Colorase is mostly pigment, and so it doesn't foil the paint when I lay it down, but it lets me work carefully and deliberately with the light sources and shadows in the pic -- something you can't really do when you're racing the evaporation time of your washes, really. I'm experimenting with patterning in the underpainting currently, seeing whether I can't give a subtle depth of texture beyond the reach of water and pigment. Not sure how it's going to all work out just yet, but the pencil work thusfar is really shaping up nicely.
Anyhow: Here's what the watercolour version of Staunch looks like.
( D'OH! A deer! A female deer! )
Anyhow. Concurrent to my dallying along on this little scrap of amusement, I've been getting the underpainting done for the first of the two commission paintings I sold for the Live Long and Marry auction. Underpainting for watercolours is not something I'd ever really bothered with before just recently, but after I saw what a stunning difference it made in I'll Forget You, I have become a solid convert. Berol Colorase is mostly pigment, and so it doesn't foil the paint when I lay it down, but it lets me work carefully and deliberately with the light sources and shadows in the pic -- something you can't really do when you're racing the evaporation time of your washes, really. I'm experimenting with patterning in the underpainting currently, seeing whether I can't give a subtle depth of texture beyond the reach of water and pigment. Not sure how it's going to all work out just yet, but the pencil work thusfar is really shaping up nicely.
Anyhow: Here's what the watercolour version of Staunch looks like.
( D'OH! A deer! A female deer! )